Origami Freestanding Totem
Architonic ID: 1522952
Materials:
100% recyclable aluminium
Standard colours:
Matt Traffic White
Light Grey Satin
Pearl Mouse Grey
Mica Black Matt
Ruby Red
The power cable is in red fabric; it is available in blue fabric upon request.
The feet and the hinges are available in polished aluminium, in anodised silver aluminium or in the same colour of the radiator.
Dimensions:
Free-standing version:
H 83,5 cm — L 93,5 / 115 cm H 103,5 — L 93,5 / 115 cm H 123, 5 — L 93,5 / 115 cm
H 163,5 cm — L 93,5 / 115 cm
Totem version:
H 163,5 cm — Ø 71 cm
Wall-mounted version:
Single module
H 120 cm — L 33,5 cm H 160 cm — L 33,5 cm
Double module
H 120 cm — L 33,5 cm (closed) L 66 cm (opened)
H 160 cm — L 33,5 cm (closed) L 66 cm (opened)
Power source:
Electric plug & play
Power:
Max 1200W
Accessories:
Bathrobe/towel hanger available in Chrome Satin, Chrome Glossy or Coloured.
Concept
“The idea stems from the desire to create an object with a simple, fluid shape. A sort of screen that can be folded back, like a folding screen. I like thinking of objects which are essential but conceal a perfected technological complexity. Today, we need to surround ourselves with friendly elements, with a clear image yet with a dynamic behaviour”. Alberto Meda
Origami, designed by Alberto Meda, is a high efficiency electric plug & play radiator capable of producing heat for any room thanks to a significant yet discrete presence. It liaises with its surroundings, offering the possibility of separating two rooms, of preserving privacy, of enhancing the atmosphere of discretion, increasing the feeling of well- being.
Origami protects, heats and gives character to the environment in a lightweight, sinuous way, without setting limits, but with the sole purpose of recreating the sacredness of our private and essential interior space; it is a poetic, sinuous, jointed and flexible item of interior décor, which gives rise to product types and configurations based on a rounded module alternating voids with the heating core.
There are three versions of Origami fitting every room within the home, each one characterized by additional accessories, as emphasized by Cristiano Crosetta, CEO of Tubes: “We wanted to bring to life a versatile element, a project that would allow the creation of multifarious models integrated with accessories which would differentiate them according to the kind of room. Originating from the idea of using contemporary technology capable of combining functionality, innovation and ease of use, Origami is an eclectic radiator, with changing shapes to suit particular requirements, and offering excellent thermal capacity”.
In the free-standing version, fold after fold, the movable modules allow space to be set out like an actual folding screen, ready to safeguard our privacy. The stylish image is completed by the supporting feet, which have been designed to ensure safety and stability to the product, yet which also contribute with their presence to the overall attraction of the design.
The wall-mounted version was devised with a single or double element. In the double version, the movement of the two modules emulates a butterfly beating its wings, radiating heat and changing when needed into an elegant retractable towel rail. Unlike traditional radiators, with Origami towels are completely enveloped and hidden from view when the radiator is folded up onto the wall, optimizing space.
Lastly the static, monumental totem version is a modern reinterpretation of the magical antique Japanese art of origami. With the same expertise used to transform a two dimensional object into a three dimensional one, the company had the possibility to transform extruded aluminium into a heating and self-standing decorative accessory.
Origami is characterized by dimensional flexibility, thanks to the skilful construction techniques of Tubes along with the use of extruded aluminium technology. The complex engineering behind the product, developed by the company's engineers, makes it possible to produce elements of different heights and, even after the extrusion phase, allows the incorporation of various functions: thanks to the heat generated by convection from the radiator's hollow elements, an increase in thermal capacity and efficiency is ensured.
The sophisticated electronic system used in Origami is operated using touch controls that allow to choose between four heating modes, allowing users to select the most appropriate temperature for their particular needs and therefore re-modulate their energy consumption: in the Comfort mode the temperature of the radiator can be set to three different intensity levels; in the Boost mode the radiator can operate at maximum power for 2 hours and then returns to the stand-by mode; in the Timer_12 mode and the Timer_24 mode, the radiator operates in the Boost mode for 2 hours, then switches to the stand-by mode for 10 and 22 hours respectively, and then reactivates the Boost function periodically for a further 2 hours until it is manually interrupted.
Origami has received several major acknowledgements: the Salone del Mobile.Milano Award as best product/bathroom sector 2016, the Archiproducts Design Award as Best of Category 2016 in the Bathroom category, the Good Design Award 2016, the Design Plus powered by ISH 2017, the Red Dot Design Award 2017, the German Design Award 2018 in the Bath and Wellness category and was selected for the publication in the ADI Design Index 2017.
Today Origami becomes part of the new Plug&Play collection presented by Tubes on the occasion of the Salone del Mobile 2018. This collection marks the starting point of the unprecedented concept of personal warmth: the heating objects, free from installation constraints, go beyond the static nature of architecture and open up to the human dimension which, by definition, is in constant movement and evolution.
This product belongs to collection:
Towel radiators
Interior construction
Italy
Profile Born in Tremezzina (Como) in 1945. Master in Mechanical Engineering at Politecnico of Milan in 1969. From 1973 technical manager of Kartell, in charge of the development of projects of furniture and plastic laboratory equipments. Since 1979 freelance industrial designer for various companies: Alfa Romeo Auto, Alias, Alessi, Arabia–Finland ,Cinelli, Colombo design, Brevetti Gaggia, JcDecaux, Ideal Standard, Luceplan, Legrand, Mandarina Duck, Omron Japan, Philips, Olivetti, Vitra, etc. Exibitions "Creativitalia" Tokio1990, and a personal exhibition at the “Design Gallery”, Matzuia Ginza in Tokio1990. “XVIII Triennale in Milan” 1992, "The lightness" section of "Il giardino delle cose". "Mestieri d'Autore "1993 in Siena "Design, miroir du siècle", at the section "Le sens et la matière", Paris 1993 “Mutant materials in contemporary design“ at MOMA – NewYork 1995, Meda – Rizzatto exibition at Binnen Galerie–Amsterdam 1996 Lighting Affinities –Milano 1996 Designer of the Year , personal at Salon du Meuble – Paris 1999 "Italia e Giappone design come stile di vita" – Yokohama, Kobe 2001 Design and Elastic Mind– Moma 2008 Triennale di Milano Il Design Italiano oltre le crisi – 2014 Youthful – spazio Domus, Milano 2015 The Bauhaus#itsalldesign. Vitra Design Museum 2015 Teaching and research From 1983 to 1987 lecturer on industrial technology at Domus Academy. Seminars at International Design Symposium in Fukui , at Workshop Design Quest in Osaka, and at Design Center in Tokyo. From 1995 lecturer at Politecnico of Milan "Corso di Laurea di Disegno Industriale" with a design lab. From 1995 to 1997 member of Board of Designlabor Bremerhaven From 2003 to 2007 lecturer at IUAV in Venice with design workshops. From 2016 Member of the Scientific Committee of the Fondazione Politecnico di Milano Several lectures and seminars such as Chicago, St.Louis at Washington University, Stockolm, Miami, San Paulo, Taipei, Ulm, Istanbul, Toronto, Mexico, HongKong, Firenze, Oslo, Istanbul, Lausanne, Seul , Chicago Awards 1989 "Compasso d'oro" Lola lamp(Luceplan) 1994 "Compasso d'oro" "Metropoli" lamps (Luceplan) 2008 "Compasso d'oro" MIX lamp (Luceplan) 2011 "Compasso d'oro" Teak table(Alias) 2016 "Compasso d'oro" Flap acoustic panel (Caimi Brevetti) 2005 “Hon Royal Designer for Industry” Londra RSA 2007 "INDEX:award" Solar Bottle 1992 "Design Plus” Titania lamp, Luceplan 1994 "European Design Prize", Luceplan 1995 "Industrie Forum design" Hannover UNI – X family lamps, 1996 "Industrie Forum design" Hannover Titania Clamp lamp 1997 Good design Gold Prize–Japan Meda chair, Vitra 1998 I.D design review ’Best of category’ Meda chair, Vitra 1999 Designer of the year, Salon du Meuble de Paris 2000 Bundespreis Produktdesign Meda chair, Vitra 2001 Good Design Award Chicago Athenaeum Water Jug, Arabia 2002 Reddot Award knives, Iittala Finland 2006 "Design Plus" e “Light of the future” MIX lamp, Luceplan 2012 Best of – Design Plus per OttoWatt, Luceplan 2014 Best of Neocon (U.S.A) Silver Award Flap, Caimi Brevetti 2015 German Design Award Flap, Caimi Brevetti 2016 DesignEuropa Awards (EUIPO) Flap, Caimi Brevetti 2016 Good Design Award Chicago Athenaeum Origami, Tubes Some products are part of permanent collection of Museum of Modern Art of Toyama and since 1994 The Museum of Modern Art in New York, includes in its Design Collection "Light light" chair 1987, "Soft light" chair 1989, “Longframe” 1991 by Alias, and "On–Off" lamp by Luceplan 1988. Bibliography Alberto Meda di Francesca Picchi Collana Prontuario– Abitare Segesta edizioni – 2003 Il design di Alberto Meda–Una concreta leggerezza di Domitilla Dardi Ed. Electa 2005 I Protagonisti del design–Hachette 2012 – Alberto Meda He works and lives in Milan.
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