Soundwave® Flo
Architonic ID: 1517239
Flo is designed to be used as lightweight sound absorbers in the upper frequency range (500 Hz and above). These panels help reduce disturbing reflections of environmental sounds such as voices, telephones etc.
Material: recyclable moulded polyester fibre.
Colours: off-white, grey, anthracite and fuchsia. Flo Colour Order minimum 4 pieces/colour.
Material: 100 % woll.
Colours: Swell can be delivered in various colours.
Concepto
Each panel in the SOUNDWAVE® series is designed for a specific acoustic purpose. Offecct owns the trademark and the series designed in original by Teppo Asikainen 1990. The wall panels can be combined in different ways to meet the needs of almost any room or environment. All our panels are tested by SP Swedish National Testing and Research Institute Acoustics, report P102366.
Este producto pertenece a la colección:
Color negro
Plástico, Poliéster
United States
Today poetic design is based on a plethora of complex criteria: human experience, social behaviors, global, economic and political issues, physical and mental interaction, form, vision, and a rigorous understanding and desire for contemporary culture. Manufacturing is based on another collective group of criteria: capital investment, market share, production ease, dissemination, growth, distribution, maintenance, service, performance, quality, ecological issues and sustainability. The combination of these factors shape our objects, inform our forms, our physical space, visual culture and our contemporary human experience. These quantitative constructs shape business, identity, brand and value. This is the business of beauty. Every business should be completely concerned with beauty - it is after all a collective human need. I believe that we could be living in an entirely different world - one that is full of real contemporary inspiring objects, spaces, places, worlds, spirits and experiences. Design has been the cultural shaper of our world from the start. We have designed systems, cities, and commodities. We have addressed the world’s problems. Now design is not about solving problems, but about a rigorous beautification of our built environments. Design is about the betterment of our lives poetically, aesthetically, experientially, sensorially, and emotionally. My real desire is to see people live in the modus of our time, to participate in the contemporary world, and to release themselves from nostalgia, antiquated traditions, old rituals, kitsch and the meaningless. We should be conscious and attune with this world in this moment. If human nature is to live in the past - to change the world is to change human nature.
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