Trifidae pouf
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Architonic ID: 1512687
The pouf is a welcome addition to the Trifidae family. While utilizing the same base as the easy chair, the profile of the pouf echoes the triangular shape of the armchair. The result is the shape that provides an optimal extension of characteristic formal language of Trifidae.
Concepto
Trifidae are a family of seats consisting of three different armchairs, deriving from a single typological and formal origin. Consisting of three separate parts, the small easy chair, high backrest armchair and the enclosing lounge chair share the same triangulated form with the focal point in the central part, embracing the user’s lumbar area and functioning as an armrest. The tilting of the three parts of the armchairs resembles closing and openings of the petals of flower buds. Regardless to the fact that the easy chair differs in size and form from the others, while the armchair and the lounge chair share the same base and the armrest, all three are perceived as neighbouring elements in progressive series. The alternation of the backrest of two bigger chairs results in different characters of the objects. Application of the enclosing backrest provides an introverted, expressive chair, protecting it’s user from his/her surrounding, while the use of the slim, high backrest ends up in an open, extrovert personality and usage of the chair.
Este producto pertenece a la colección:
Base metal, Metal
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Austria
Product design group For Use was formed through collaboration of Sven Jonke, Christoph Katzler and Nikola Radeljkovic in the year 1998. Two members studied at the School of Design in Zagreb, while Katzler studied at High School for Applied Arts in Vienna. Since then the group designed furniture and objects for companies such as Cappellini, ClassiCon, Desalto, Interlubke, Magis, MDF Italia, Moroso, and Zanotta. In 1999 the group realized several important exhibition design projects and established Numen as a group name for projects realized outside of the field of industrial design. In the initial stage the group worked together with Jelenko Hercog and Toni Uroda, graphic and multimedia designers. The work was characterized by experimenting with rule-based design and radical reduction of form in the tradition of High modernism, mostly applied to total-design projects . In 2004 Jonke, Katzler and Radeljkovic started developing set design projects for various theater companies which led to a major breakthrough in 2005 with set design for Infierno in Centro Dramatico Nacional in Madrid. Since then the group designed sets in Belgrade, Berlin, Istanbul, Ljubljana, Madrid, Merida, Osijek, Rijeka, Skopje and Zagreb, mostly with directors Tomaz Pandur and Aleksandar Popovski with whom they developed a continuous cooperation. In 2005 Numen/ForUse established the first design oriented brand for quality furniture in former Yugoslavia - Element, designing visual identity and initial furniture collection. The group has since managed artistic direction and product development of the company. The group has simultaneously developed interior and exterior design projects, usually working with 3lhd and Imarea architects, the most important of which is the integral design of the waterfront in Split realized in 2007. From 2008 on Numen / For Use has been designing objects and concepts without predefined function, resulting in projects like Numen-light, Tape and NET. Besides these prominent realizations, the group has been awarded several international prizes for their work in the fields of set and industrial design.
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